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I find in my notes mention of other drawings quite as wonderful as those I have spoken of, but space only remains to give some hint of Keene's place among draughtsmen. As a humorist he was certainly thin compared to Leech; as a satirist he was certainly feeble compared to Gavarni; in dramatic, not to say imaginative, qualities he cannot be spoken of in the same breath as Cruikshank; but as an artist was he not their superior? NATIONALITY IN ART. In looking through a collection of Reynolds, Gainsboroughs, Dobsons, Morlands, we are moved by something more than the artistic beauty of the pictures. Seeing that peaceful farmyard by Morland, a dim remote life, a haunting in the blood, rises to the surface of the brain, like a water-flower or weed brought by a sudden current into sight of the passing sky. Seeing that quiet man talking with his swineherd, we are mysteriously attracted, and are perplexed as by a memory; we grow aware of his house and wife, and though these things passed away more than a hundred years ago, we know them all. That other picture, "Partridge Shooting", by Stubbs, how familiar and how intimate it is to us! and those days seem to go back and back into long ago, beyond childhood into infancy. The life of the picture goes back into the life that we heard from our father's, our grandfather's lips, a life of reminiscence and little legend, the end of which passed like a wraith across the dawn of our lives. For we need not be very old to remember the squire ramming the wads home and calling to the setter that is too eagerly pressing forward the pointer in the turnips. A man of fifty can remember seeing the mail coach swing round the curve of the wide, smooth coach roads; and a man of forty, going by road to the Derby, and the block which came seven miles from Epsom. And so do these pictures take us to the heart of England, to the heart of our life, which is England, to that great circumstance which preceded our birth, and which gave not merely flesh and blood, but the minds that are thinking now. We have only to pass through a doorway to see sublimer works of art. But though Troyon and Courbet were greater artists than Morland, Morland whispers something that is beyond art,


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